ACROSS THE WAY WITH… is an expanding series of informal readings of, with, and about intimacy in the public domain. New readings are released every Monday on our website.
Today we share ‘Why I Don’t Talk About ‘The Body’: A polemic’ by Gordon Hall.
ABOUT ACROSS THE WAY WITH…
In Lauren Berlant’s essay ‘Intimacy: A Special Issue’, she tells us that everyone thinks they know how to do intimacy, but it is something that is quickly misinterpreted. Intimacy is troubling, fleeting, and challenging to speak about— and more especially to enact. Shimmer and PUBLICS explore intimacy’s obscurity by welcoming words of artists, poets, philosophers, curators, and others from Finland, The Netherlands and around the world. To bring our guests and audience together through the subject of intimacy in a time where racism, war, and greed infiltrates our lives, public intimacy becomes a political act of openness. We intend to challenge intimacy and go beyond the conventional understanding of intimacy as ‘only’ the ‘personal’. Instead, the program considers intimacy as a means to re-think the community and how ‘we’ modern humans in a digitized society engage in the care of one another.
ABOUT GORDON HALL
Gordon Hall is a sculptor, performance-maker, and writer based in New York. Hall has presented solo exhibitions at EMPAC (2014), Foxy Production (2014), Temple Contemporary (2016), The Renaissance Society (2018), MIT List Visual Arts Center (2018), and Portland Institute for Contemporary Art (2019). Hall’s sculptures and performances have been exhibited in a variety of group settings including Museum of Contemporary Art Chicago (2010), SculptureCenter (2012), Movement Research (2012), Brooklyn Museum (2014), White Columns (2015), Whitney Museum of American Art (2015), Hessel Museum at Bard College (2015), Chapter NY (2015), Art in General (2016), Wysing Arts Centre (2017), Abrons Arts Center (2017), Socrates Sculpture Park (2017), The Drawing Center (2018), David Zwirner New York (2018), and the Verge Center for the Arts (2019). Hall has organized lecture-performance programs at MoMA PS1(2012), Recess (2013, 2014), The Shandaken Project at Storm King Art Center (yearly, 2012 -2016), Interstate Projects (2017), Brooklyn Academy of Music (2017), Artists Space (2020), RISD Museum (2020), and at the Whitney Museum of American Art, producing a series of lectures and seminars in conjunction with the 2014 Whitney Biennial. Hall’s books include Reading Things—Gordon Hall on Gender, Sculpture, and Relearning How To See (Walker Art Center, 2016), AND PER SE AND (Art in General, 2016), Details (Walls Divide Press, 2017), The Number of Inches Between Them (MIT, Printed Matter, 2019), and OVER-BELIEFS, Gordon Hall Collected Writing 2011-2018 (Portland Institute for Contemporary Art/Container Corps, 2019). Hall’s work has been covered in Artforum, Artsy, Art in America, V Magazine, Randy, Bomb, Flash Art, Title Magazine, and Mousse Magazine, and they have published essays in Theorizing Visual Studies (Routledge, 2012), Art Journal (2013), What About Power? Inquiries Into Contemporary Sculpture (SculptureCenter/Black Dog Press, 2015), Documents of Contemporary Art: Queer (Whitechapel/MIT Press, 2016), and Art in America (2018), among many other contexts. Hall has been awarded residencies and grants from the Lower Manhattan Cultural Council, Graham Foundation for Advanced Studies in the Fine Arts, Triangle Arts Association, The Edward F. Albee Foundation, Skowhegan School of Painting and Sculpture, ACRE, Fire Island Artist Residency, and Foundation for Contemporary Arts. Hall holds an MFA and an MA in Visual and Critical Studies from the School of the Art Institute of Chicago and a BA from Hampshire College. Hall is a 2019-2020 Provost Teaching Fellow in the Department of Sculpture at Rhode Island School of Design and will be resident faculty at the Skowhegan School of Painting and Sculpture in the summer of 2021.
Shimmer is a Rotterdam based exhibition space that operates with an ever-changing studio-like mentality where knowledge arises through participation and experimentation.
PUBLICS is a curatorial agency with a dedicated library, event space and reading room in Vallila Helsinki, known for its industrial working class histories and, more recently, for its influx of divergent artistic and academic communities.
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